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PORTRAIT OF MRS. GILBERT ECCLES, in the manner of Michael Dahl
PORTRAIT OF MRS. GILBERT ECCLES, in the manner of Michael Dahl
THOMAS ROGERS, CARPENTER, English School, 19th-century
THOMAS ROGERS, CARPENTER, English School, 19th-century
Close detail of the top of the Louis XIV  Boulle writing table, known as a bureau Mazarin,  in the Chapel Drawing Room at Belton House
Close detail of the top of the Louis XIV Boulle writing table, known as a bureau Mazarin, in the Chapel Drawing Room at Belton House
SALOME WITH THE HEAD OF JOHN THE BAPTIST, by Sir Peter Paul Rubens (1577-1640), post-conservation at Lyme Park (LYM/P/94)
SALOME WITH THE HEAD OF JOHN THE BAPTIST, by Sir Peter Paul Rubens (1577-1640), post-conservation at Lyme Park (LYM/P/94)
WILLIAM RUSTON HUNTING AT MELTON MOWBARY by John Ferneley (1782-1860)
WILLIAM RUSTON HUNTING AT MELTON MOWBARY by John Ferneley (1782-1860)
DAMON AND MUSIDORA by John Opie (1761-1807) Illustrating an episode in "Summer", from James Thomson's "Seasons" (1726-30)
DAMON AND MUSIDORA by John Opie (1761-1807) Illustrating an episode in "Summer", from James Thomson's "Seasons" (1726-30)
GEORGE HARRY GREY, 5th EARL OF STAMFORD by Anton Rephael Mengs (1728-1779) from Dunham Massey
GEORGE HARRY GREY, 5th EARL OF STAMFORD by Anton Rephael Mengs (1728-1779) from Dunham Massey
Snowshill, STILL LIFE WITH A BASKET OF PEACHES AND PLUMS by Jacques Linard 1635
Snowshill, STILL LIFE WITH A BASKET OF PEACHES AND PLUMS by Jacques Linard 1635
FRANCES PRINNE, LADY SEYMOUR OF TROWBRIDGE by William Larkin (fl c.1609-d1619)
FRANCES PRINNE, LADY SEYMOUR OF TROWBRIDGE by William Larkin (fl c.1609-d1619)
CUPID'S WOUND by Angelica Kauffman (1741-1807) in the Drawing Room at Attingham Park
CUPID'S WOUND by Angelica Kauffman (1741-1807) in the Drawing Room at Attingham Park
`MARY, WIFE OF THOMAS HUNT' by THOMAS WRIGHT of DERBY
`MARY, WIFE OF THOMAS HUNT' by THOMAS WRIGHT of DERBY
PORTRAIT OF SIR ABRAHAM HUME by Sir Joshua Reynolds, post-conservation at Belton House (BEL/P/127)
PORTRAIT OF SIR ABRAHAM HUME by Sir Joshua Reynolds, post-conservation at Belton House (BEL/P/127)
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